Ricardo Miranda Zúñiga approaches art as a social practice that seeks to establish dialogue in public spaces. Having been born of immigrant parents and grown up between Nicaragua and San Francisco, a strong awareness of inequality and discrimination was established at an early age. The ways that inequality and power manifest themselves in our lives are consistent threads in Ricardo's work. Themes such as immigration, discrimination, gentrification and the effects of commodification/monetization extend from highly subjective experiences and observations into works that tactically engage others through popular metaphors while maintaining critical perspectives. Ricardo maintains a research-based practice that combines the hand-made with emerging technologies to present content in a manner that may generate interaction and discussion amongst participants/viewers/users.
| 2023 | DiMoDa @ ONX, 9/21 - 23 and 9/28 - 9/30, curated by Christiane Paul |
| 2023 | Matter. Non-Matter. Anti-Matter, The Centre Pompidou, Paris, France, May to July 2023, curated by Lívia Nolasco-Rózsás |
| 2022 | Matter. Non-Matter. Anti-Matter, ZKM Center for Art and Media, Karlsruhe, Germany, curated by Lívia Nolasco-Rózsás |
| 2022 | Digital Art Zurich, DYNAMO Cultural Center, city festival, curated by Camilla Toman, 2022 |
| 2022 | No Meida 2022, online group exhibition curated by Lisa Gwilliam & Ray Sweeten, 2022 |
| 2022 | VRAL S02, online exhibition curated by Matteo Bittanti, Gemma Fantacci, Luca Miranda, and Riccardo Retez, featuring FinTech for the Precariat, 2021 |
| 2022 | DiMoDA 4.0: Dis/Location, Gazelli Art House, London, group exhibition |
| 2022 | DiMoDA 4.0: Dis/Location, Bannister Gallery, Rhode Island College, Providence, RI |
| 2021 | FinTech for the Precariat, 2021, solo exhibition at The Clemente, Manhattan, NY |
| 2021 | FinTech for the Precariat, 2021, lecture and exhibition at Museum of the Moving Image, Astoria, NY |
| 2021 | NFS NSFW NFT, New Art City, online group exhibition featuring the NEW INC 7th year Art & Code Cohort |
| 2021 | Mutations, group exhibition curated by Grayson Earle, Ana Maria Gomez Lopez and Joana Quiroga, Akademie Schloss Solitude, Stuttgart, Germany |
| 2021 | Desplazados, 2020, DiMoDA 4, curated group exhibition, curated by Christiane Paul and Alfredo Salazar-Caro at VRE21, Rome, Italy |
| 2021 | 5D Futures, group exhibition, video art portal and pavilion for The Wrong Biennale nº5 Curated by COLLAGISM, Tottenham, London, United Kingdom |
| 2021 | FinTech for the Precariat, 2021, street presentation at Open Arts Outside curated by Jodi Waynberg, Artists Alliance |
| 2019 | Daily Icons: 1000 Deaths, 2001, Web-Retro, curated group exhibition, SeMA, Buk-Seoul Museum of Art, South Korea |
| 2019 | INCERTIDUMBRE, 2019 at the 8th International Festival of VIDEOART, curated Video Art festival, Camaguey, Cuba |
| 2018 |
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| 2018 | OS 2018, curated by Flavia Souza, The Clemente Soto Velez Cultural and Educational Center, Manhattan, NY |
| 2018 | Future Perfect, curated by Nadav Assor, Hygienic Art Gallery, New London, Connecticut as part of Intersections: the 16th Biennial Symposium on Arts & Technology, Connecticut College |
| 2017 | Art In Odd Places, curated by Nicolas Dumit Estevez Raful with Rocio Aranda (El Museo) and Jodi Waynberg (Artists Alliance Inc) |
| 2017 | Interface/Landscape 2016 New Media Exhibition, curated by Claudia Costa and Dale Hudson for the the Finger Lakes Environmental Film Festival at Ithaca College, NY |
| 2017 | 7th International Video Art Festival Camaguey, Cuba, curated by Teresa Bustillo Martínez |
| 2017 | Unnatural Election: Artists Respond to the 2016 US Presidential Election, curated by Andrea Arroyo, Kimmel Galleries, New York University |
| 2016 | CURRENTS 2016 International New Media Festival, El Museo Cultural de Santa Fe, NM curated by Mariannah Amster and Frank Ragano |
| 2016 | Lettuce, Artichokes, Red Beets, Mangoes, Broccoli, Honey and Nutmeg: The Essex Street Market as Collaborator, group exhibition, Cuchifritos Gallery + Project Space, curated by Nicolas Dumit Estevez |
| 2015 | Electronic Arts and Video Festival Transitio_MX,curated by Brian Mackern |
| 2015 | Ricardo Miranda Zuniga, solo exhibition, Art Students League of Denver, curated by Robin Whatley and Rebecca Vaughan |
| 2015 | Press Play, group exhibition at RedLine, Denver, CO, curated by Ruth Bruno & Cortney Lane Stell |
| 2014 | Cities in Dialogue group exhibition at Foundation for Art and Creative Technology (FACT), Independents Liverpool Biennial, UK, curated by Claire Taylor |
| 2014 | PLAYING WITH FIRE: Political Interventions, Dissident Acts, and Mischievous Actions group exhibition at El Museo del Barrio, New York, curated by Nicolás Dumit Estévez |
| 2014 | Vagaries of The Commons at Artspace, New Haven, CT, group exhibition, curated by Sarah Fritchey |
| 2014 | Look into the Net | NET.ARTography at Edith Russ Haus, group exhibition, curated by Gustavo Romano |
| 2013 | "EXCESS NYC" at Franklin Street Works, storefront installation and one-day event, curated by Terri Smith |
| 2013 | NYFA @ Governors Island, group exhibition Governors Island Art Fair curated by NYFA Curatorial |
| 2012 | Regeneration, group exhibition New York Hall of Science, Queens, NY |
| 2011 - 2012 | El Ranchito, group exhibition El Matadero, Madrid, Spain |
| 2011 | Regeneration.011, group exhibition, Plato Sanat gallery, Istanbul Ayvansaray Unıversity, Balat campus, Turkey, curated by Marcus Graf |
| 2011 | Ecologías Correlativas, group exhibition 319 Scholes, Brooklyn, NY, curated by chimera+ |
| 2011 | Toys and Games with a Twist, group exhibition Longwood Art Gallery, Bronx, NY, curated by Vanessa Gonzalez, Juanita Lanzo |
| 2010 | RETRO-TECH, San Jose Museum of Art, CA, curated by Kristen Evangelista |
| 2010 | p0rtables, group exhibition Museo Nacional de Bellas Artes, Santiago Chile, curated by Ignacio Nieto |
| 2009 | Return to Function, traveling group exhibition Madison Museum of Contemporary Art, curated by Jane Simon |
| 2009 | Transfer Lounge, traveling group exhibition Forja Arte Contemporaneo, Valencia, Spain, curated by Carolina Loyola Garcia |
| 2009 | Breaking News, solo exhibition at Buffalo Arts Studio, Buffalo, NY, curated by Cori Wolff |
| 2009 | Internet Art in the Global South, online group exhibition, The Joburg Art Fair |
| 2009 | Manifestos, Revolutions! online group exhibition Austin Peay University, Clarksville, TN, curated by Jillian Mcdonald |
| 2008 | On Transmitting Ideology, solo show at Vox Populi, Philadelphia, PA, curated by Anita Allyn. |
| 2008 | transmediale.08 - CONSPIRE, Festival of Video Art and New Media, at Haus der Kulturen der Welt (House of World Culture), Berlin, Germany. Presented participatory march Radio Gun Revolt as part of 12 hour performance Moving Forest |
| 2007 | TRANSITIO_MX02 at Laboratorio Art-Alameda, Mexico City. Carreta Nagua, Siglo 21 is a commission for TRANSITIO, festival of video and new media. |
| 2007 | 50,000 BEDS organized by Chris Doyle at three locations - the Aldrich Contemporary Museum, ArtSpace and Real Art Ways. El Rito Apasionado is a video commissioned for 50,000 BEDS |
| 2007 | Touring Show, curated by Marisa Olson for Time Shares online exhibition series organized by Rhizome, co-presented by the New Museum |
| 2006 | FALLOUT: Nicaragua and Its Diaspora, West Kendall Regional Library, Miami-Dade County Public Library System |
| 2006 | sonambiente berlin2006, Akademie der Kunste and tesla media center, Berlin, Germany |
| 2006 | Russia: Significant Other, The National Center for Contemporary Art, St. Petersburg, Russia |
| 2006 | UNDER FIRE, I Space, Chicago, Ill |
| 2006 | ARS Electronica PRIX, Honorary Mention, Net Vision for Dentimundo, Linz, Austria |
| 2005 | FALLOUT: What's Left at Momenta Art, Brooklyn |
| 2005 | inSite 05: Tijuana Calling at the San Diego/Tiijuana Border |
| 2005 | F I L E 2005 / HIPERSONICA 2005 and F I L E GAMES 2005 at SESI Gallery, Sao Paulo, Brazil |
| 2005 | Live.Pictures at The Jamaica Arts Center for the Performing and Visual Arts, Queens NYC |
| 2005 | When Living Was Labor at the Bronx Museum, NYC |
| 2004 | Counter Culture at the New Museum of Contemporary Art, NYC |
| 2004 | Ars Electronica, Festival for Art, Technology and Society "Political Works," O.K. Center for Contemporary Art, Linz, Austria |
| 2004 | Digitofagia: Tactical Media and Activism Festival at the Museum of Sound and Image, Sao Paulo, Brazil |
| 2004 | public.exe: Public Execution at Exit Art, NYC |
| 2004 | Association for Computing Machinery Conference Exhibition at the Macy Gallery, Columbia University |
| 2004 | FILE 2004 | Electronic Language International Festival Sao Paulo, Brazil |
| 2004 | The Office Space at the Global Consulting Group's Main Headquarters, Manhattan |
| 2003 | gate page for Whitney Museum artport, December |
| 2003 | L Factor at Exit Art, NYC |
| 2003 | Alt Digital, The American Museum of the Moving Image, Queens, NY |
| 2003 | Si : Alors : Sinon : Art and Interactivity at DAÏMÕN Media Center, Quebec, Canada |
| 2003 |
backup_festival: lounge|lab in Weimar, Germany, October 20th - November 2nd |
| 2003 | Artist in the Market Place Exhibtion at The Bronx Museum, NY the exhibition will feature Nexum ATM (July 17 - September) |
| 2003 | InteractivA'03 at the Museum of Contemporary Art of Yucatan, Mexico (July) |
| 2003 | Version>03 Digital Convergence at The Chicago Museum of Contemporary Art exhibition that featured Vagamundo,a mobile public art project |
| 2003 | Wireless Park Lab Days, a two-day event that celebrated the availability of open wireless (Wi-Fi) networks in Lower Manhattan and explores their implications for art, community, and shared space. Produced by Dana Spiegel of NYCwireless, and curator Brooke Singer and artist Yury Gitman, Wireless Park Lab Days was held in City Hall Park, September 19th and 20th. |
| 2003 | ICONOGRAPHY: Critiquing the Icon curated by Patrick Lichty, online at:ICONOGRAPHY |
| 2003 | LatinoNetarte.net: net.art from Latin American countries at JavaMuseum, curated by Agricola de Cologne, online at:JavaMuseum |
| 2003 | Chiangmai First New Media Art Festival, Contemporary Art Museum in Chiangmai, Thailand, online at http://iceca.chiangmai.ac.th/events/ (28 March - 15 April, 2003) |
| 2003 | Subrational eRuptions at Turbulence, curated by Ryan Griffis. |
| 2003 | NANOFESTIVAL V.001 at Zeroglab Zeroglab |
| 2002 | Race in Digital Space at the Lucas Complex,
University of Southern California, exhibition that featured Vagamundo,a mobile public art project |
| 2002 | The Kitchen's Fourth Annual Neighborhood Street Fair, Manhattan, NY |
| 2002 | ProFresh group exhibition at Bellwether Gallery, Brooklyn, NY |
| 2002 | FREE MANIFESTA June 15th through August 25, an open call exhibition of public art produced in conjunction with MANIFESTA 4, The European Biennial of Contemporary Art View Project: 1000 iCONS: Daily Headline Deaths | View Exhibition |
| 2002 |
dLux>ART02 an International Showcase of Experimental Media Arts by Australian organization,
dLux media|arts. View Project: A Virtual Landscape | View Exhibition |
| 2001 | INCIDENT.NET, Issue 2: Portrait, On-line exhibition of net-based self-portraiture, http://www.incident.net |
| 2001 | Micromuseum, Mediaterra Festival2001, Group Exhibition traveling through Europe |
| 2001 | Borderhack 2.0, Audioworks broadcast over the US/Mexico border, Tijuana, Mexico |
| 2000 | The New Polis, solo exhibition at the Chautauqua Institute Art Center |
| 2000 | audiophile, online audio narrative at OVEN Digital, www.oven.com |
| 2000 | Video Screening of The New Revolutianary Myth at UC Santa Barbara |
| 1999-2000 | Beginning a New Century: Emerging Artists in Western New York, the Burchfield-Penny Art Center, the Museum of Western New York Arts, Buffalo State |
| 1999 | Three Rivers Art Festival, performance and installation, Cargo Load, Pittsburgh, PA |
| 1999 | Pittsburgh Fringe Festival, video screening of The New Revolutianary Mythat the Mattress Factory Pittsburgh, PA |
| 1999 | Master of Fine ArtsExhibition at the Associated Artist of Pittsburgh |
| 1998 | Video-High Speed Art, Secession Gallery Without Walls, San Francisco, CA |
| 1998 | Strictly Painting II, Mclean Project for the Arts, Emerson Gallery, Washington DC |
| 1998 | Non/Identification Ritual, Performance on the New York City Subway |
| 1998 | HoneyPie: Undercover Stripper, performance, video and on-line project with Elizabeth Monoian |
| 1998 | Wats:on Festival of Art, group exhibition at the Frame Gallery, Pittsburgh, PA |
| 1998 | Dry Run, group exhibit, Viaduct Studio, Pittsburgh |
| 1997 | A series of digitally animated public service announcements were aired on PCTV, Pittsburgh |
| 1997 | Solfrito, group exhibit, Forbes Gallery, Pittsburgh |
| 1997 | Sueno, video installation, Skoki, Poland |
| 1996 | Merengue Jingle, at the Luggage Store Window Display, San Francisco |
| 1996 | Absentee Ballot, collaborative, live, interactive television broadcast on election day 1996 with The Centre for Metahuman Exploration, Pittsburgh |
| 1999 | Carnegie Mellon University, Master of Fine Arts |
| 1994 | University of California at Berkeley, Bachelor of Arts in Practice of Art and English Literature, Minor in Spanish Literature, |
| 2009-Present | Associate Professor, Department of Film & Media Studies, Hunter College CUNY |
| Spring 2022 | Acting Chair, Department of Film & Media Studies, Hunter College CUNY |
| 2001-2009 | Associate Professor, Department of Art, The College of New Jersey |
| 2000 - 2003 | Writer and Editor of the Culture Section, Ni de Aqui Ni de Alla, for the on-line weekly publication "theSpleen" (www.theSpleen.com) |
| 2000 | Rich Media and Internet Developer at OVEN Digital, New York City |
| 1999 - 2001 | Assistant Professor, Department of Media Arts, SUNY Fredonia |
| 1999 | Adjunct Assistant Professor of Art, Carnegie Mellon School of Art, Highschool Program |
| 1996-1999 | Teaching Assistant, School of Art, Carnegie Mellon University |
| 1996-1999 | Exhibit Designer at the Pittsburgh Children's Museum, PA |
| 1995 | Instructor and Assistant Co-ordinator for a project to keep street children of the streets at the Cultural Center of Managua, Nicaragua |
| 1994-1995 | Installation Technician at the Yerba Buena Center for the Arts, San Francisco, CA |
| 2023-24 | Social Practice CUNY Fellow, $2000 |
| 2021 | City Artists Corps Grant, NYC Department of Cultural Affairs in partnership with NYFA, $5000 |
| 2021 | Media Arts Assistance Fund, NYSCA Electronic Media/Film in Partnership with Wave Farm, $5000 |
| 2021 | Web Residency Mutations, Akademie Schloss Solitude |
| 2020-21 | New Museum's NEW INC 7th Year Art & Code Cohort |
| 2018 | Ammerman Center Independent Scholar Fellowship | Ammerman Center for Arts and Technology and the Center for the Critical Study of Race and Ethnicity at Connecticut College, New London, CT, USA |
| 2016 | PSC-CUNY Research Award for $3715.00 |
| 2015 | Presidential Fund for Faculty Advancement, Hunter College, CUNY $500 |
| 2014 | Presidential Fund for Faculty Advancement, Hunter College, CUNY $900
Presidential Travel Award, Hunter College, CUNY $1500 |
| 2013 | HIAP - Helsinki International Artist Programme, Summer 2013 (July - August), studio space |
| 2012 | ReGeneration Artist Commission, Hall of Science, Queens, NY, $13,500 |
| 2010 | PSC CUNY Grant, $5500 |
| 2008 | Eyebeam Artist in Residence, Summer 2008 (July - November), $5000 and studio space |
| 2007 | New York Foundation for the Arts, Computer Arts Fellow, $7,000 |
| 2007 | Finishing Fund awarded by the Experimental Television Center, $2,000 |
| 2006 | Tides Foundation's Lambent Fellowship in the Arts, $21,000 |
| 2006 | Artist in Residence at tesla Media Center, Berlin, Germany |
| 2004 | Turbulence Commission, New Radio and Performing Arts, $5000 |
| 2003 | Future of the Present at Franklin Furnace, Manhattan, NY, $5000 |
| 2003 | Electronic Media and Film Program, New York State Artists Grant Award, $500 |
| 2002 | Artist in Residence at Harvestworks Media Center, Manhattan, NY, $3700 |
| 2000 | Campus Professional Development Grant, SUNY Fredonia, $1000 |
| 2000 | UUP Academic Incentive Award, $1000 |
| 1996-1999 | Graduate Fellowship, Carnegie Mellon University |
| 1998 | College Arts Association, Professional Development Fellowship, $15,000 |
| 1998 | Artist in Residence at Kunst Seminar, Metzingen, Germany, lodging and studio |
| 1997 | Artist in Residence at Skoki, Poznan Academy of Fine Art, Poland, lodging and studio |
| 2002 | Open Sourcing New Media, a review of the New Museum's Open_Source_Art_Hack published in the July/August edition of the magazine Afterimage edited by Are Flagan. |
| 2002 | The Work of Artists in a Databased Society: net.art as Online Activism, published in the March/April edition of the magazine Afterimage edited by Are Flagan. This essay was also published in the Version>02 Conference Reader, held at the Chicago Museum of Contemporary Art. |
| 2002 | The UnderNet World: IRC as Resistant Media, published in the French Reader, Connections: Art, Network, Media edited by Annick Bureaud and Nathalie Magnan |
| 2000-present | Writer and editor of the culture columnni de aqui, ni de alla, at theSpleen, a online weekly, www.thespleen.com |
| 2023 | GAMEARTOPIA, catalog of Art Games by Arsgames with the support of Generalitat de Catalunya |
| 2016 | Taylor, Claire. Chapter 3 Ricardo Miranda Zuniga: his Art Practice and his Works, Cities in Dialogue, Liverpool University Press 2016 ISBN: 9781781382448. Print |
| 2013 | "Art Portfolio Ricardo Miranda Zuniga," BOMBLOG 16 December, 2013, review of recent online sketches by the editors of BOMBLOG |
| 2011 | "Take It to the Air: Radio as Public Art", by Sarah Kanouse, fall 2011 Art Journal |
| 2010 | "THE UN-ACCOUNTED BODY IN PERFORMANCE: WHO IS THE SUBJECT OF THE RIGHTS OF THE ILLEGAL ALIEN?", by Laura Sández, vol 5, no 2 LL Journal (online) |
| 2008 | "Guiding Hands Help Immigrant Artists Connect", by Tina Kelley, New York Times, Sunday Metro Section, 15 June, 2008, an article discussing NYFA's Immigrant Artist Mentor Program that I'm participating in. The article features Hatuey Ramos-Fermín my mentee and myself. |
| 2008 | On "Los 'sin papeles' mexicanos votan al presidente de EE UU" (review of VOTEMOS.US on Spanish newspaper El País), by Roberta Bosco y S. Caldana. Download PDF |
| 2008 | Mexico is different... (online), review of exhibition Transitio_MX02 by Nigel Helyer |
| 2007 | [Situational] Public, inSite_05 printed catalog,editors: Osvaldo Sanchez and Donna Conwell, published by Installation Gallery, ISBN 0-9642554-6-4 |
| 2007 | Best Practices: The Pros on Adobe Flash (book) by Douglas Easterly, published by Cengage Learning 2007, ISBN-10: 1418050415, art/instructional tech/education book with dedicated chapter on my work |
| 2007 | Upgrade! International: DIY, printed by turbulence.org, catalog for exhibition, includes discussion of work |
| 2006 | The German Newspaper, die tageszeitung discusses the Public Broadcast Cart for sonambiente: Stimmen blühen aus dem Wagen, by ALJOSCHA WESKOTT |
| 2006 | El País Review of Fallout: What's Left - "El arte digital no olvida Nicaragua by Roberta Bosco, Edición del jueves, 30 de marzo de 2006, Archived PDF |
| 2006 | "Ricardo Miranda Zúñiga a multimedia artist focused on social commentary" by Doug Easterly, May 2006, ACM Siggraph Newsletter Publication |
| 2006 | Flash Art Magazine Review of Fallout: What's Left by Akiko Ichikawa, March - April 2006, Vol.XXXIX No.247, Page 53 |
| 2006 | El Soldado DesconocidoMarca Acme, online Nicaraguan culture site review of artist presentation at Managua's Teatro July by Rodrigo Peñalba |
| 2005 | The Other Middle America by Ryan Griffis, December 2005 |
| 2005 | Net Art: Nicaragua Story by vtanni, Random, June 2005 |
| 2004 | Counter Culture on the Bowery and Vicinity by Cathy Lebowitz, Art in America, November 2004 |
| 2004 | New Museum's New Non-Museum: For Now, A Parking Lot Will Do Just Fine by Randy Kennedy, Art & Leisure, New York Times, July 25, 2004 |
| 2004 | Treasure Hunt: To get a sneak peak at the New Museum's new digs, you'll need a map and sensible shoes by Linda Yablonsky, Time Out New York, issue 462 August 5 - 12, 2004 |
| 2004 | In Sink: the New Museum of Contemporary Art taps the Bowery for an interactive show by Steven Stern, Time Out New York Kids, Summer 2004 |
| 2004 | From Flophouse to Art House: the New Museum puts down roots in the Bowery New York Magazine, July 12, 2004 |
| 2004 | A Tour of the Bowery, Through an Artist's Eye by Kolby Yarnell, Culture Desk, The New York Sun, August, 2004 |
| 2003 | furtherfield.org: Essay, Information in the Expanded Field: a Case Study by Ryan Griffis and Interview |
| 2003 | Interdisciplinary Practice/Viewer Experience by Judy Malloy, NYFA Current (c) 2003, avialable online at EZine |
| 2003 | Arcade Classics Spawn Art? Current Trends in the Art Game Genreby Tiffany Holmes, 2003, .pdf avialable online at MelbourneDAC |
| 2003 | AIM 23 The Bronx Museum of the Artsby Brian Boucher, International Flash Art Review online at MelbourneDAC |
| 2003 | Un velo, un caddie et un pousse-pousse wifi: Trois prototypes associatifs de haut debit embarqueby Thuan Huynh, online at transfert.net 11/2003 Archive |
| 2003 | VAGABUNDO: A migrant's tale by Costanza Ruggeri, online at CULTUR-E [la revista] |
| 2002 | Representin': Digital Artists Confront Race, by Cinque Hicks, RHIZOME.ORG |
| 2002 | Vagamundo: uno street-game digitale sull'immigrazione clandestine, by Tatiana Bazzichelli, Neural Online: New Media Art and Hacktivism Magazine, read review |
| 2002 | Histoires de immigrants et cropuis laurentiens, by Bruno Guglielminetti, Cyberpresse, Canda |
| 2000 | Alberto Rey on Mary Tobola and Ricardo Miranda Zuniga, Beginning a New Century: Emerging Artist in Western New York, Burchfield Penney Art Center |
| 2023 | Visiting Artist Lecture, Duke in New York: Creeative Industries, Duke University |
| 2023 | Visiting Artist Lecture & Studio Visits, Art Department, UMass Boston |
| 2023 | Virtual Place Making, artist panel, College Art Association Annual Conference, NY, NY |
| 2022 | Catastrophe’s Bodies and Wild Sensorium: Performance and Virtual Reality (VR) Working Group, ASTR 2022 New Orleans |
| 2019 | Visiting Artist Lecture, College of Mass Communications and Media Arts, Southern Illinois University, Carbondale, Ill |
| 2019 | Socially Engaged Games (lecture title), Game Educators Conference, Long Island University, Brooklyn, NY |
| 2018 | Member Showcase, College Art Association, New Media Caucaus, Los Angeles, CA |
| 2017 | Visiting Artist Lecture, Pratt Digital Art Visiting Artist Lecture Series |
| 2014 | Artist Lecture, at Clemson University, Clemson, S.C. |
| 2014 | Evidence Fetish: Excavating the Public's Trash and Artifacts, panel with Mengyu Chen, Brooke Singer, Brad Armstrong, Lani Asuncion and Gary Aronsen at Artspace, New Haven, CT |
| 2013 | Artist Lecture, Upgrade! San Francisco at Artist Television Access (ATA) |
| 2013 | Just Food Conference, Making Art With Food In Mind, panel with Atom Cianfarani, Jason Gaspar, Lisa Gross, Tattfoo Tan |
| 2011 | Expanding the Documentary, Electronic Geographies, panel with Joe McKay, Stephanie Rothenberg, Josh Tonsfeldt, Andrea Grover at SUNY Purchase College |
| 2011 | Caesura Conversation: Stories in Reserve, panel with Sarah Kanouse, Ryan Griffis, Lize Mogel, and Sarah Ross, CUNY Graduate Center, James Gallery, NYC |
| 2010 | Medios Locativos y Herramientas de Visualización de Datos (Locative Media and Tools For Data Visualization), invited lecture and workshop at Matucana 100, Cultural Center, Santiago, Chile |
| 2009 | Fantastic Politics: Art as Political Campaign, panel at Conflux Festival 2009, panel organizer and panelist along with Larry Bogad and Andrew Boyd, NYU |
| 2009 | Aritst Lecture, Visual Studies Lecture Series, University at Buffalo, NY |
| 2008 | Artist Lecture, Minneapolis College of Art and Design, MN |
| 2008 | Artist Lecture, Florida State University, Tallahasee, FL |
| 2008 | Artist Lecture, at conference titled MexiQue? Arte_Identidades, Universidad Iberoamericana, Mexico City, Mexico |
| 2006 | EVIL Artist Lecture Series, Managua, Nicaragua |
| 2006 | Grounds for Sculpture Artist Lecture Series |
| 2006 | Syracuse University Artist Lecture Series, hosted by Douglas Easterly |
| 2005 | Floating Points Lecture Series presented by Emerson College and Turbulence. The presentations by Andy Deck and myself are online at the Floating Points site. |
| 2004 | The Upgrade, a monthly lecture series in NYC by new media artists and curators, organized by artist Yael Kanarek and held at Eyebeam, NYC |
| 2004 | networks, art and collaborations, conference held at SUNY at Buffalo, organized by Geert Lovink and Trebor Scholz Department of Media Studies Artist Lecture, at SUNY at Buffalo, Department of Media Studies |
| 2004 | Visiting Artst Lecture, at SUNY at Buffalo, Department of Media Studies |
| 2004 | Visiting Artst Lecture, at the School of Visual Arts, NYC Graduat Physical Computing Class |
| 2002 | ART, LIFE, MEDIA, MACHINES, a panel discussion on new media art and social engagement at the Bass Museum of Art, Miami, FL |
| 2000 | The UnderNet World: Identity Is Information , presented at Consciousness Reframed: art technology and consciousness for the 3rd Centre for Advanced Inquiry in the Interactive Arts International Research Conference, University of Wales College, Newport, UK |
| 1999 | College Art Association, Professional Development Fellowship Lecture |